I don't care if you like moore or not but you gotta see this



Michael Moore- The Awful Truth- UPS - YouTube

 

Doubt he'd stand up for us...if anything he'd villainize US, and demand that we take a pay cut on behalf of the "real workers"...and then fly back to Flint in a G5.

 

You obviously haven't seen "Capitalism: a Love Story"

 

Sadly I have hard to remember I was too busy throwing up the whole time. Something about blame everyone else for our problems(low pay....) was what I remember.

 

Moore should do a documentary about the new obesity "disease".

 

That would be an autobiography, no?

 

pretty sure u just answered your own question

 

Sure, pick on the fat guy. Maybe when Hannity does a piece on worker rights you'll post it here for us to view.
But than we're AIRLINE PILOTS, we only support labor issues related to ourselves. Rodger Moore is a commie, supporting the plight of the lower classes.

Bring on the Fat jokes......

 

Moore is absolutely not a commie, he has been very clever in making many millions of dollars pretending to be the rep of the little man.

He hasn't changed a thing except to expand his bottom line, which is almost as big as his waist line. He won't use union crews in his productions because they want to get paid.

Moore is a professional propagandist and he has done very well, mainly because people like to believe what they think is true.
Facts never get in the way of ignorant savages. Logic will always be the enemy of superstition, but for many superstition wins every time.

 

Oooops...

Symbolism over substance yet again...that's a shame.

"For all of Mr. Moore’s pro-union bravado, writers who worked for him on the NBC television show TV Nation described the film director as more of a selfish union busting boss than anything else. The New Yorker interviewed former staff writers of Mr. Moore’s in 2004 who painted a picture of a merciless individual who is only acting out the role of a liberal savior for his fans in the public but behaves much differently in private.

One day during production on the first season of the show, Moore called two of his writers into his office. It was, for both of them, their first job in television, and they had been hired with the title of associate producer. They were not members of the Writers’ Guild, the powerful union for writers in movies and TV, and thus were not receiving health benefits, and would not qualify later for a percentage of video and rerun sales. “Michael said, ‘I’m getting a lot of heat from the union to call you guys writers and pay you under the union rules,’ ” Eric Zicklin, one of the associate producers, says. “ ‘I don’t have the budget for that. But if they keep coming down on me that’ll mean I’ll only be able to afford one of you and the other one’s gotta go.’ ”